http:\/\/www.perseus.tufts.edu\/hopper\/text?doc=Perseus%3Atext%3A2008.01.0464%3Asection%3D1<\/a><\/p>\n\n\n\nTutkimuskirjallisuus<\/h2>\n\n\n\n
Baumbach, Manuel & von M\u00f6llendorff, Peter. 2017. Ein literarischer Prometheus. Lukian aus Samosata und die Zweite Sophistik<\/em>. Heidelberg: Universit\u00e4tsverlag Winter.<\/p>\n\n\n\nCastr\u00e9n, Paavo & Pietil\u00e4-Castr\u00e9n, Leena. 2000. Antiikin k\u00e4sikirja<\/em>. Helsinki: Otava.<\/p>\n\n\n\nDunbabin, Katherine M. D. 2010. \u201dThe pantomime Theonoe on a mosaic from Zeugma.\u201d Journal of Roman Archaeology<\/em> 23: 413\u2013426.<\/p>\n\n\n\nGoldhill, Simon. 2002. Who needs Greek? Contests in the cultural history of Hellenism<\/em>. Cambridge: Cambridge University Press.<\/p>\n\n\n\nHall, Edith & Wyles, Rosie, toim. 2008. New directions in pantomime<\/em>. Oxford: Oxford University Press.<\/p>\n\n\n\nHerodotos. 1992. Historiateos<\/em> 1\u20132<\/em>. K\u00e4\u00e4nt\u00e4nyt Edvard Rein. 3. painos. Porvoo, Helsinki, Juva: WSOY.<\/p>\n\n\n\nHerodotos. 1964. Historiateos 5\u20139<\/em>. K\u00e4\u00e4nt\u00e4nyt Edvard Rein. Porvoo, Helsinki: WSOY.<\/p>\n\n\n\nHomeros. 1972. Odysseia<\/em>. Suomentanut Pentti Saarikoski. Helsinki: Otava.<\/p>\n\n\n\nHomeros. 1942. Odysseia<\/em>. Suomentanut Otto Manninen. 2. painos. Porvoo: WSOY.<\/p>\n\n\n\nJohnson, William A. 2016\u20132017. \u201dImperial Pantomime and Satoshi Miyagi\u2019s Medea<\/em>.\u201d Didaskalia<\/em> 13: 76\u201390.<\/p>\n\n\n\nJory, Edvard J. 2012. \u201dThe mask of Astyanax and the pantomime librettist.\u201d Logeion<\/em> 2: 186\u2013199.<\/p>\n\n\n\nJory, John. 2008. \u201dThe Pantomime Dancer and his Libretto.\u201d Teoksessa New directions in pantomime<\/em>, toim. Edith Hall & Rosie Wyles, 157\u2013168. Oxford: Oxford University Press.<\/p>\n\n\n\nLada-Richards, Ismene. 2005. \u201d\u2019In the mirror of the dance\u2019: a Lucianic metaphor in its performative and ethical contexts.\u201d Mnemosyne<\/em> 58(3): 335\u2013337.<\/p>\n\n\n\nLada-Richards, Ismene. 2006. \u201dBecoming mad on stage. Lucian on the perils of acting and spectating.\u201d Bulletin of the Institute of Classical Studies<\/em> 49(1): 145\u2013164.<\/p>\n\n\n\nLewis, David. 2011. \u201dNear eastern slaves in classical Attica and the slave trade with Persian territories.\u201d Classical Quarterly<\/em> 61(1): 91\u2013113.<\/p>\n\n\n\nMalloy, Margaret. 1996. Libanius and the dancers<\/em>. Altertumswissenschaftliche Texte und Studien 31. Hildesheim: Olms-Weidmann.<\/p>\n\n\n\nPeponi, Anastasia-Erasmia. 2015. \u201dDance and Aesthetic Perception.\u201d Teoksessa A Companion to Ancient Aesthetics<\/em>, toim. Pierre Destr\u00e9e & Penelope Murray, 204\u2013217. Chichester: John Wiley & Sons.<\/p>\n\n\n\nSchlapbach, Karin. 2008. \u201dLucian\u2019s on dancing and the models for a discourse on pantomime.\u201d Teoksessa New directions in pantomime<\/em>, toim. Edith Hall & Rosie Wyles, 314\u2013337. Oxford: Oxford University Press.<\/p>\n\n\n\nSchlapbach, Karin. 2018. The anatomy of dance discourse<\/em>. Oxford: Oxford University Press.<\/p>\n\n\n\nValero T\u00e9var, M. \u00c1. 2013. \u201dThe late-antique villa at Noheda (Villar de Domingo Garc\u03afa) near Cuenca and its mosaics\u201d. Journal of Roman Archaeology<\/em> 26: 307\u2013330.<\/p>\n\n\n\nVesterinen, Marjaana. 2003. \u201dReading Lucian\u2019s \u03a0\u03b5\u03c1\u1f76 \u1f40\u03c1\u03c7\u03ae\u03c3\u03b5\u03c9\u03c2: attitudes and approaches to pantomime.\u201d Teoksessa Grapta Poikila I<\/em>. Papers and monographs of the Finnish institute at Athens VIII, toim. Leena Pietil\u00e4-Castr\u00e9n & Marjaana Vesterinen, 35\u201351. Helsinki: Suomen Ateenan instituutin s\u00e4\u00e4ti\u00f6.<\/p>\n\n\n\nWebb, Ruth. 2008a. Demons and dancers: theatrical performance in late antiquity<\/em>. Cambridge, MA: Harvard University Press.<\/p>\n\n\n\nWebb, Ruth. 2008b. \u201dInside the mask: pantomime from the performers\u2019 perspective.\u201d Teoksessa New directions in pantomime<\/em>, toim. Edith Hall & Rosie Wyles, 43\u201360. Oxford: Oxford University Press.<\/p>\n\n\n\nWebb, Ruth. 2012. \u201dThe nature and representation of competition in pantomime and mime.\u201d Teoksessa L\u2019organisation des spectacles dans le monde romain<\/em>. Entretiens sur l\u2019antiquit\u00e9 classique LVIII, toim. Kathleen Coleman & Jocelyn Nelis-Cl\u00e9ment, 221\u2013372. Vand\u0153uvres \u2013 Gen\u00e8ve: Fondation hardt.<\/p>\n\n\n\nAntiikin kirjalliset l\u00e4hteet, joihin t\u00e4ss\u00e4 teoksessa on viitattu<\/h2>\n\n\n\n
Apollonios Rodoslainen, Argonautika<\/em><\/p>\n\n\n\nAthenaios, Deipnosofistai<\/em><\/p>\n\n\n\nDemetrios, Eloc<\/em>. = De Elocutione<\/em> (alkup. kr. Peri herm\u0113nei\u0101s<\/em>)<\/p>\n\n\n\nDiogenes Laertios<\/p>\n\n\n\n
Filodemos, Rhet<\/em>. = Peri rh\u0113torik\u0113s<\/em><\/p>\n\n\n\nFronto, De Orationibus<\/em><\/p>\n\n\n\nHerodotos<\/p>\n\n\n\n
Hesiodos, Jumalten synty <\/em>(Theogonia<\/em>)<\/p>\n\n\n\nHesykhios<\/p>\n\n\n\n
Homeros, Ilias<\/em><\/p>\n\n\n\nHomeros, Odysseia<\/em><\/p>\n\n\n\nIsokrates, Pan\u0113gyrikos<\/em><\/p>\n\n\n\nKsenofon, Pidot<\/em> (Symposion<\/em>)<\/p>\n\n\n\nLibanios, Or<\/em>. = Oratio<\/em> 64.<\/p>\n\n\n\nLukianos, Narrimainen kirjanker\u00e4ilij\u00e4 <\/em>(Pros ton apaideuton kai polla biblia \u014dn\u016bmenon<\/em>)<\/p>\n\n\n\nLukianos, Astrologiasta <\/em>(Peri t\u0113s astrologi\u0101s<\/em>)<\/p>\n\n\n\nLukianos, Kahdesti syytetty <\/em>(<\/em>Dis kat\u0113gor\u016bmenos<\/em>)<\/p>\n\n\n\nLukianos, Menippos tai Nekyomanteia (Menippos \u0113 Nekyomanteia)<\/em><\/p>\n\n\n\nLukianos, Meren jumalten dialogeja (Enalioi dialogoi):<\/em><\/p>\n\n\n\nPindaros<\/p>\n\n\n\n
Platon, Gorgias<\/em><\/p>\n\n\n\nPlaton, Lait<\/em> (Nomoi<\/em>)<\/p>\n\n\n\nPlaton, Valtio<\/em> (Politeia<\/em>)<\/p>\n\n\n\nPlutarkhos, Pitopuheita<\/em> (Moralia: Symposiaka)<\/em><\/p>\n\n\n\nPolluks (lat. Pollux)<\/p>\n\n\n\n
SB<\/em> IV 7336 = Bilabel, F. toim. 1931. Sammelbuch griechischer Urkunden aus Aegypten<\/em> IV. Heidelberg. https:\/\/archive.org\/details\/ldpd_6352579_000\/page\/n2\/mode\/2up<\/a><\/p>\n\n\n\nSuda<\/p>\n\n\n\n
Thukydides, Peloponnesolaissota<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"L\u00e4hdeluettelossa mainitaan antiikin kirjallisista l\u00e4hteist\u00e4 teostiedot ainoastaan niist\u00e4 teoksista, joissa olen siteerannut tietty\u00e4 suomennosta. Muut […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1432","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/pages\/1432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/comments?post=1432"}],"version-history":[{"count":1,"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/pages\/1432\/revisions"}],"predecessor-version":[{"id":1433,"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/pages\/1432\/revisions\/1433"}],"wp:attachment":[{"href":"https:\/\/kinesis.teak.fi\/lukianos\/wp-json\/wp\/v2\/media?parent=1432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}